BEGIN:VCALENDAR
PRODID:-//Festival Genius Presents: Sound Unseen 2009//iCal4j 1.0//EN
VERSION:2.0
CALSCALE:GREGORIAN
METHOD:PUBLISH
BEGIN:VEVENT
DTSTAMP:20120517T090939Z
DTSTART:20090929T190000
DTEND:20090929T195900
SUMMARY:R.E.M. :THIS IS NOT A SHOW
DESCRIPTION:This Is Not A Show ventures back to July 2007 when R.E.M. set
 -up camp at the venerable Olympia Theatre in Dublin and tested new mater
 ial before fired-up\, capacity crowds comprised of fan-club members\, fr
 iends\, family\, and fans from all over the world.  The footage was shot
  over five nights by French filmmakers Vincent Moon and Jeremiah.
CATEGORIES:Documentary, Opening Night Film
LOCATION:Cedar Cultural Center
URL:http://soundunseen.bside.com/2009/films/remthisisnotashow_soundunseen
 2009
UID:2490879884-soundunseen.festivalgenius.com/2009
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20120517T090939Z
DTSTART:20090930T193000
DTEND:20090930T204900
SUMMARY:ROCK PROPHECIES
DESCRIPTION:Rock and roll's ultimate eyewitness takes you on an all‐acces
 s tour of guitar greatness.  Robert M. Knight\, the hardest‐working rock
  photographer in the business\, revisits the friends and idols of his pa
 st while attempting to help launch the careers of two explosive new acts
 . Imagine seeing bands like Led Zeppelin or the Rolling Stones long befo
 re they became famous. Legendary Rock photographer Robert Knight did jus
 t that\, and has the photos to prove it.  \n\n Rock Prophecies  explores
  Robert’s amazing career and follows him on his quest to help the bands 
 of today become the Rock legends of tomorrow\, whether promoting Panic a
 t the Disco before anybody has heard of them\, or convincing Aussie band
  Sick Puppies to sell everything and move to the United States.  When Ro
 bert stumbles upon Tyler Dow Bryant – a 16-year old guitar phenom from T
 exas – he’s convinced he may have found the next Stevie Ray Vaughan. Rob
 ert risks his reputation and career and takes a chance on Tyler.  The tw
 o then set off on an unbelievable journey to take their own shot at maki
 ng history. \n\nAFI Dallas International Film Fest - audience award \nNa
 shville Film Fest - audience award  Maui Film Fest - audience award - Do
 cumentary Vision \nRhode Island International Film Fest - Best Soundtrac
 k Award \n\n“ ...a compelling subject\, a terrifically-crafted story\, a
  killer soundtrack\, and loads of heart .” – Harriette Yahr\, IndieWIRE 
 \n  \n“ Rock Prophecies is  a remarkable documentary ... and one of my f
 avorite films at the AFI Dallas Film Festival this year .” – Gary Cogill
 \, Film Critic\, WFAA-TV \n  \n" One of the most interesting rock docs i
 n years......... Director John Chester captured the spirit of the music 
 and the visuals\, and photographer Robert Knight is one of a kind.....Ca
 tch this one! " - Carol Miller\, Get the Led Out\, WAXQ NY 
CATEGORIES:Documentary, In Competition
LOCATION:Trylon Microcinema
URL:http://soundunseen.bside.com/2009/films/rockprophecies_soundunseen200
 9
UID:2490880395-soundunseen.festivalgenius.com/2009
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20120517T090939Z
DTSTART:20091001T190000
DTEND:20091001T203500
SUMMARY:DIED YOUNG STAYED PRETTY
DESCRIPTION:FREE SCREENING! at The Walker Art Center! tickets available a
 t the Bazinet Garden Lobby desk from 6 pm\n\n Died Young\, Stayed Pretty
   is a candid look at the underground poster culture in North America. T
 his unique documentary examines the creative spirit that drives these in
 die graphic artists. They pick through the dregs of America’s schizophre
 nic culture and piece them back together. What you end up with is a cari
 cature of the black and bloated heart that pulses greed through the US e
 conomy. The artists push further into the pulp to grab the attention of 
 passersby\, plastering art that’s both vulgar and intensely visceral ont
 o the gnarled surfaces of the urban landscape. The film gives us intimat
 e look at some of the giants of this modern subculture. Outside of their
  own circle\, they’re virtually unknown. But within their ranks they mak
 e up an army of bareknuckle brawlers\, publicly arguing the aesthetic me
 rits of octopus imagery and hairy 70s porn stars. They’ve created their 
 own visual language for describing the spotty underbelly of western civi
 lization and they're not shy about throwing it in the face of polite soc
 iety.  \n\nAlong the way\, they manage to create posters that are striki
 ngly obscene\, unflinchingly blasphemous and often quite beautiful. Yagh
 oobian shows these artists for what they are: the vivisectionists of Ame
 rica’s morbidly obese consumer culture.
CATEGORIES:Documentary
LOCATION:Walker Art Center
URL:http://soundunseen.bside.com/2009/films/diedyoungstayedpretty_soundun
 seen2009
UID:2485000185-soundunseen.festivalgenius.com/2009
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20120517T090939Z
DTSTART:20091001T190000
DTEND:20091001T212700
SUMMARY:BOUND FOR GLORY
DESCRIPTION:Based on the autobiography of iconic American folk singer Woo
 dy Guthrie who wrote "This Land Is Your Land" director Hal Ashby’s\,  Bo
 und for Glory \, is still one of the best musical bio-pics of any genera
 tion. \n\nWoody (Carradine)\, is a dust bowl populist who hops from trai
 n to train\, city to town\, meeting the American people who would come t
 o form the heart of so many of his best songs.  Eventually\, Guthrie's p
 rotest music earned him a following through the radio and he rode the ra
 ils to New York to find a larger audience.  Sound Unseen is proud to pre
 sent\,  Bound for Glory \, not only as a tribute to Carradine\, who won 
 Best Actor from the National Board of Review in 1976\, but as a testamen
 t to the power of Guthrie’s music\, which is still relevant today.   \n\
 n Bound for Glory  was nominated for six Academy Awards including: Best 
 Picture and won two Oscars for Best Cinematography (Haskell Wexler) and 
 Best Music\, Original Song Score and Its Adaptation or Best Adaptation S
 core.  \n\nCritic’s Quotes: \n \n“ Bound for Glory is outstanding biogra
 phical cinema\, not only of Woody Guthrie but also of the 1930’s Depress
 ion era which served to disillusion\, inspire and radicalize him and mil
 lions of other Americans. ”  -Variety \n \n“ 4 out of 4 stars.  There ar
 e images in Hal Ashby’s “Bound for Glory” so striking or so beautiful I 
 doubt I’ll ever forget them.  It is one of the best-looking films ever m
 ade\, in its photography\, in its use of locations and in its recreation
  of the America that Woody Guthrie discovered. ” – Roger Ebert
CATEGORIES:Narrative Film
LOCATION:Trylon Microcinema
URL:http://soundunseen.bside.com/2009/films/boundforglory_soundunseen2009
 
UID:2490880016-soundunseen.festivalgenius.com/2009
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20120517T090939Z
DTSTART:20091001T214500
DTEND:20091001T231600
SUMMARY:PUNCHING THE CLOWN
DESCRIPTION:  Star Henry Phillips Present!  \n\nHenry Phillips\, a road-w
 eary American comedian and troubadour\, is down on his luck playing hell
  gigs in the desert. He moves to L.A. thinking he’s got nothing more to 
 lose. It turns out he was mistaken: his reputation and his music are soo
 n at stake\, yet if he plays his cards right\, it could all be grist for
  his darkly humorous songs.  Henry Phillips\, a modern day troubadour\, 
 is living out of his car on a perpetual tour of small time comedy and mu
 sic clubs around the country. After a gig gone terribly wrong in Arizona
 \, he decides to push on through to LA and crash on his brother Matt's c
 ouch. \n \nIn LA\, he needs to find work fast. Matt\, himself a struggli
 ng actor who barely makes ends meet dressing up as Batman for children’s
  birthday parties\, hooks Henry up with his sweet\, eager but inept mana
 ger\, Ellen. The first gig Ellen gets Henry is an open mic night at the 
 Espresso Yourself Café. No money in it\, not the best place for exposure
  either. It’s not looking good\, though Henry does a great show\, and as
  an added bonus meets the cool barista\, Becca. But the overeducated\, s
 ardonic songsmith turns into a stammering weirdo anytime an attractive y
 oung woman comes within chatting distance\, so Becca doesn’t know what t
 o think of Henry.  At least Ellen still believes in Henry\, and she’s go
 t ideas. She gets Henry to play at a swanky soiree in the Hollywood Hill
 s.  But Ellen’s guerilla booking tactics apparently did not include clea
 ring Henry’s performance with the host\, who shuts Henry down before he 
 has a chance to sing a whole song.  Just as Henry thinks his luck is run
 ning out\,  he gets an unexpected break through a very fortuitous set of
  circumstances involving an inappropriately used skin product and a chan
 ce encounter with a pop star. As a result\, Fabian Mann\, a cocky young 
 A&R executive for an indie record label\, X-Company Records\, is lead to
  believe Henry has friends in high places. Fabian offers Henry a record 
 deal. And back at the Espresso Yourself Café\, Joel\, the friendly and p
 aternal owner\, gives Henry some hints on how to talk to Becca without m
 aking an ass of himself. \n\nThings should be looking up for Henry\, but
  it all backfires in flash. Henry only gets $2\,500 instead of the $50\,
 000 dollars Fabian had promised. Then his brother tells him he is finall
 y giving up on his Hollywood dream\, so Henry’s lost his crash pad. Furt
 her woes ensue when his misguided approach to Becca is so fundamentally 
 misconstrued that she quits her job on the spot\, insulting Henry on the
  way out. Last\, but definitely not least\, a bizarre rumor is spreading
  about Henry\, who finds that there is such a thing as bad P.R.\, as X-C
 ompany Records shelves his CD before even recording it\, although as per
  the contract Henry signed with them\, they retain the rights to his mus
 ic. \n\nHenry’s lost everything he came to LA to find\, but perhaps a tr
 oubadour’s real home is on the road. Six months later\, Becca is driving
  through an Oregon town on her way to a new job and notices Henry's name
   misspelled on the marquee of a local dive. She goes in. He’s barely ma
 king ends meet but he’s performing. He’s finally happy  or at least\, wo
 rking on it. And he’s got new songs. The lyrics seem strangely inspired 
 by the recent experiences. Becca stays for the show. 
CATEGORIES:Narrative Film
LOCATION:Trylon Microcinema
URL:http://soundunseen.bside.com/2009/films/punchingtheclown_soundunseen2
 009
UID:2490880139-soundunseen.festivalgenius.com/2009
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20120517T090939Z
DTSTART:20091002T190000
DTEND:20091002T201900
SUMMARY:TRIMPIN: THE SOUND OF INVENTION
DESCRIPTION: Trimpin: The Sound of Invention  is an amusing journey throu
 gh the sonic world of an eccentric creative genius.  Artist/inventor/eng
 ineer/composer Trimpin shuns the hype and hyperbole of the commercial ar
 t world – yet his freewheeling sculptures and outrageous musical experim
 ents are cherished by museums all over the planet. Filmed over two years
 \, this cinema verite documentary feature follows the artist/inventor as
  he devises a perpetual motion machine\, builds a 20-meter tower of auto
 matic electric guitars\, and collaborates with the Kronos Quartet on an 
 outrageous world premiere.  The film will delight anyone interested in t
 he mysteries\, pitfalls\, and sheer joy of creative experiment. \n \n\nC
 ritics quotes: \n\n" A genius at circuitry and machinery as well as acou
 stics and musical structure\, he manufactures orchestras that play thems
 elves ." - The Village Voice
CATEGORIES:Documentary, Featured, In Competition
LOCATION:Trylon Microcinema
URL:http://soundunseen.bside.com/2009/films/trimpinthesoundofinvention_so
 undunseen2009
UID:2490880235-soundunseen.festivalgenius.com/2009
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20120517T090939Z
DTSTART:20091002T191500
DTEND:20091002T205600
SUMMARY:ICONS AMONG US: JAZZ IN THE PRESENT TENSE
DESCRIPTION:By combing rare archival stills\, interviews with 75 jazz art
 ists and live recordings culled from 25 hours of concerts\,  Icons Among
  Us  is a dynamic and engaging document of many of the greatest jazz mus
 icians of today.  Capturing the spontaneity of performers who have an in
 timate knowledge of their instruments and a full knowledge of jazz histo
 ry\, the movie (created from four episodes of a cable and satellite TV s
 eries) shows how something like the same riff can become something compl
 etely different in the hands of different musicians.  The dialogue betwe
 en older and younger generations of music takes place with words\, but a
 lso with music.   \n\nAnyone from diehard fans to interested novices and
  those interested in the origins of creativity will find something to ta
 ke home with them.  Like the music itself\,  Icons Among Us \, is a fres
 h and constantly surprising\, with a spirit and energy that innovates ev
 en as it recycles.   Icons Among Us \, features unique interviews and ex
 clusive performances from Terence Blanchard\, Medeski\, Martin & Wood\, 
 the Bad Plus (with Happy Apple drummer\, Dave King)\, Ravi Coltrane\, Di
 rty Dozen Brass Band and many others. 
CATEGORIES:Documentary, Featured, In Competition
LOCATION:Oak St. Cinema
URL:http://soundunseen.bside.com/2009/films/iconsamongusjazzinthepresentt
 ense_soundunseen2009
UID:2490880509-soundunseen.festivalgenius.com/2009
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20120517T090939Z
DTSTART:20091002T210000
DTEND:20091002T230000
SUMMARY:INTERNATIONAL SHORTS PROGRAM
DESCRIPTION: They Can Shoot Me But They Can't Kill Me And Neither Can You
   (USA\, 2008\, 7 mins)\nDirected by Jeffrey Peixoto\nSynopsis: The life
  and times of folk legend Woody Guthrie are recounted in this inventive 
 animated biography shot using a cell-phone. \n\n\n One Man Brand  (USA\,
  2009\, 14 mins ) Dir. Josh Aiello:\nAn insightful look into the creativ
 e process of a Matthew Schultz\, who writes and records one song a day –
  everyday – for the novelty website Woot!  \n\n\n Fingers  (USA\, 2008\,
  22 mins) Dir. Danny Mooney:\nWill\, an aspiring musician\, hitchhikes t
 o Nashville with his guitar in hopes of making it big. One night\, after
  a gig\, he gets an offer that seemingly offers a way make his dreams co
 me true\, but soon he learns the hard way that nothing comes easy. \n\n\
 n Night People  (USA\, 2008\, 3 mins) Dir. Paul Lovelace and Jessica Wol
 fson:\nNew York  City radio host Bob Fass shares a moment with a cab dri
 ver over the air late one night. \n\n\n The Archive  (USA\, 2009\, 9 min
 s) Dir. Sean Dunne:\nA brief look at the world's largest vinyl record co
 llection and the current state of the American record industry... and wh
 y nobody gives a damn. \n\n\n Love You More  (UK\, 2008\, 15 mins) Dir. 
 Sam Taylor Wood:\nTwo rebel teenagers are drawn together by the Buzzcock
 s' single "Love You More" during the summer of 1978. \n\n\n Led Zeppelin
  Played Here  (US\, 2008\, 8 mins) Dir. Jeff Krulik:\n1969 was the year 
 Led Zeppelin broke\, and their first Washington DC area concert was a lo
 cal youth center gymnasium on the night of Richard Nixon's inauguration.
  Seeking out evidence for this historic show\, Led Zeppelin Played Here 
 uncovers the truth behind the tall tales of local rock lore.  By the dir
 ector of Heavy Metal Parking Lot.  -Light Industry \n\n\n Long for the C
 ity  (US\, 2008\, 9 mins) Dir. Jem Cohen:\nA short portrait of Patti Smi
 th in the city where she lives. Patti recites the very first poem-song s
 he ever wrote\, and then a later one\, "Prayer"\, from the early 1970s. 
 We take a walk in her changing neighborhood\, and I ask her what she saw
 . Footage was shot in the moment\, as well as drawn from the archive I'v
 e gathered over many years. -Jem Cohen 
CATEGORIES:Featured, Shorts Program
LOCATION:Trylon Microcinema
URL:http://soundunseen.bside.com/2009/films/internationalshortsprogram_so
 undunseen2009
UID:2491140678-soundunseen.festivalgenius.com/2009
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20120517T090940Z
DTSTART:20091002T213000
DTEND:20091002T223500
SUMMARY:STINGRAY SAM
DESCRIPTION: Director Cory McAbee Present!  \n\nA dangerous mission reuni
 tes Stingray Sam with his long lost accomplice\, The Quasar Kid. Follow 
 these two space convicts as they earn their freedom in exchange for the 
 rescue of a young girl who is being held captive by the genetically desi
 gned figurehead of a very wealthy planet.  Stingray Sam  is BNS Producti
 ons’ second sci-fi musical\, featuring music by the band The Billy Nayer
  Show.   \n\n Stingray Sam  is a feature length film divided into six ep
 isodes that combines live action\, graphic collages and illustrations\, 
 photo montages and animation to tell a story of the future\, based on th
 emes of modern times\, created for the new frontier of technology\, with
  an old-fashioned sensibility borrowing on the traditions of sci-fi\, we
 sterns\, singing cowboy serials and musicals of classic American film. I
 t has been designed for screens of all sizes.   \n\nCritic’s Quotes: \n 
 \n“ The overall effect is hilariously digressive\, campy yet deadpan. An
 d awfully catchy: McAbee's songs range from a "Rawhide"-like theme tune 
 to swinging '60s acid rock\, cowpunk and an acoustic "Pretty Little Lull
 aby. " – Variety \n \n“ A cross between Eraserhead and Chitty-Chitty Ban
 g Bang ” - Movie Magazine International \n \n“ It's quite unlike anythin
 g else. ” - New York Post
CATEGORIES:Featured, Narrative Film
LOCATION:Oak St. Cinema
URL:http://soundunseen.bside.com/2009/films/stingraysam_soundunseen2009
UID:2490880556-soundunseen.festivalgenius.com/2009
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20120517T090940Z
DTSTART:20091002T233000
DTEND:20091003T010000
SUMMARY:1st Annual Sound Unseen *Secret Screening*
DESCRIPTION:Two letters...M and J!
CATEGORIES:Films
LOCATION:Oak St. Cinema
URL:http://soundunseen.bside.com/2009/films/1stannualsoundunseensecretscr
 eening_soundunseen2009
UID:2490979681-soundunseen.festivalgenius.com/2009
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20120517T090940Z
DTSTART:20091003T140000
DTEND:20091003T162700
SUMMARY:BOUND FOR GLORY
DESCRIPTION:Based on the autobiography of iconic American folk singer Woo
 dy Guthrie who wrote "This Land Is Your Land" director Hal Ashby’s\,  Bo
 und for Glory \, is still one of the best musical bio-pics of any genera
 tion. \n\nWoody (Carradine)\, is a dust bowl populist who hops from trai
 n to train\, city to town\, meeting the American people who would come t
 o form the heart of so many of his best songs.  Eventually\, Guthrie's p
 rotest music earned him a following through the radio and he rode the ra
 ils to New York to find a larger audience.  Sound Unseen is proud to pre
 sent\,  Bound for Glory \, not only as a tribute to Carradine\, who won 
 Best Actor from the National Board of Review in 1976\, but as a testamen
 t to the power of Guthrie’s music\, which is still relevant today.   \n\
 n Bound for Glory  was nominated for six Academy Awards including: Best 
 Picture and won two Oscars for Best Cinematography (Haskell Wexler) and 
 Best Music\, Original Song Score and Its Adaptation or Best Adaptation S
 core.  \n\nCritic’s Quotes: \n \n“ Bound for Glory is outstanding biogra
 phical cinema\, not only of Woody Guthrie but also of the 1930’s Depress
 ion era which served to disillusion\, inspire and radicalize him and mil
 lions of other Americans. ”  -Variety \n \n“ 4 out of 4 stars.  There ar
 e images in Hal Ashby’s “Bound for Glory” so striking or so beautiful I 
 doubt I’ll ever forget them.  It is one of the best-looking films ever m
 ade\, in its photography\, in its use of locations and in its recreation
  of the America that Woody Guthrie discovered. ” – Roger Ebert
CATEGORIES:Narrative Film
LOCATION:Trylon Microcinema
URL:http://soundunseen.bside.com/2009/films/boundforglory_soundunseen2009
 
UID:2490880084-soundunseen.festivalgenius.com/2009
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20120517T090940Z
DTSTART:20091003T163000
DTEND:20091003T180100
SUMMARY:THE AMERICAN ASTRONAUT
DESCRIPTION:  Director Cory McAbee Present!Brand New 35 MM Print!  \n\nSp
 ace travel has become a dirty way of life dominated by derelicts\, greas
 e monkeys\, and hard-boiled interplanetary traders such as Samuel Curtis
 . Written\, directed\, and starring Cory McAbee with the legendary cult 
 band The Billy Nayer Show\, this sci-fi\, musical-western uses flinty bl
 ack and white photography\, rugged Lo-Fi sets and the spirit of the fina
 l frontier. We follow Curtis on his Homeric journey to provide the all-f
 emale planet of Venus with a suitable male\, while pursued by an enigmat
 ic killer\, Professor Hess. The film features music by The Billy Nayer S
 how and some of the most original rock n’ roll scenes ever committed to 
 film.  \n\nCritic’s Quotes: \n \n “Imagine a long laurel & hardy skit di
 rected by Salvador Dali. ”– Entertainment Weekly \n \n “More original th
 an almost anything you’ve seen this millennium. ” – Sundance Film Festiv
 al \n \n “Surprising and Hilarious! May be the most wonderfully strange 
 film experience you have this year. ” – Elle Magazine
CATEGORIES:Narrative Film
LOCATION:Oak St. Cinema
URL:http://soundunseen.bside.com/2009/films/theamericanastronaut_sounduns
 een2009
UID:2490881013-soundunseen.festivalgenius.com/2009
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20120517T090940Z
DTSTART:20091003T170000
DTEND:20091003T182300
SUMMARY:P-STAR RISING
DESCRIPTION:In the early '80s\, Jesse Diaz was a rising star in the hip-h
 op world. Now he's a broke single father living in a Harlem shelter with
  two children to support. But Jesse finally finds a shot at redemption i
 n his nine-year-old daughter Priscilla\, a precocious and immensely tale
 nted rapper.  With older daughter Solsky the family's quiet cheerleader\
 , Jesse and Priscilla look to parlay "P-Star's" talent into victory for 
 the whole family. And that means long rehearsals\, late nights\, and hom
 e schooling for the growing girl. But as Priscilla's star really begins 
 to rise\, it'll tax all the relationships in her life and test Jesse in 
 ways he never expected. Jesse himself is caught between wanting to prote
 ct his daughter’ innocence and exploiting her raw talent to fulfill his 
 deferred dream. All they know is that the ride has just begun.
CATEGORIES:Documentary, In Competition
LOCATION:Trylon Microcinema
URL:http://soundunseen.bside.com/2009/films/pstarrising_soundunseen2009
UID:2490880742-soundunseen.festivalgenius.com/2009
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20120517T090940Z
DTSTART:20091003T184500
DTEND:20091003T200700
SUMMARY:GUY AND MADELINE AND A PARK BENCH
DESCRIPTION: Guy and Madeline on a Park Bench  is about the often uneasy 
 but always beautiful relationship between music and love. It tells the s
 tory of a young Boston jazz musician who drifts from affair to affair\, 
 his trumpet the only constant in his life. He makes a promising connecti
 on with an aimless introvert named Madeline\, who immediately takes to h
 is music. Their relationship is cut short\, however\, when Guy leaves he
 r for another\, more outgoing love interest. The two separated lovers sl
 owly wind their way back into each other’s lives\, through a series of r
 omances and near-romances punctuated by song. \n\nA full-fledged musical
  that recasts the MGM tradition in a gritty\, near-documentary style\, G
 uy and Madeline stars Jason Palmer\, recently named by Down Beat Magazin
 e one of the top twenty-five “Trumpeters for the Future\,” and features 
 all original music composed by Justin Hurwitz and recorded by the Bratis
 lava Symphony Orchestra. The film was shot on black-and-white 16mm and a
 lso features Desiree Garcia\, Sandha Khin\, Andre Hayward (trombonist wi
 th Betty Carter\, the Dave Holland Big Band\, and the Jazz at Lincoln Ce
 nter Orchestra)\, and Kelly Kaleta (cast member of Imagine Tap). 
CATEGORIES:Narrative Film
LOCATION:Trylon Microcinema
URL:http://soundunseen.bside.com/2009/films/guyandmadelineandaparkbench_s
 oundunseen2009
UID:2490880589-soundunseen.festivalgenius.com/2009
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20120517T090940Z
DTSTART:20091003T190000
DTEND:20091003T210000
SUMMARY:LOCAL SHORTS PROGRAM
DESCRIPTION:Sound Unseen 10 and IFP support local filmmakers!
CATEGORIES:Shorts Program
LOCATION:Oak St. Cinema
URL:http://soundunseen.bside.com/2009/films/localshortsprogram_soundunsee
 n2009
UID:2491141920-soundunseen.festivalgenius.com/2009
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20120517T090940Z
DTSTART:20091003T204500
DTEND:20091003T220700
SUMMARY:ALL TOMORROW’S PARTIES
DESCRIPTION:A kaleidoscopic journey into the parallel musical universe of
  cult music festival All Tomorrow's Parties.  This is a DIY concert film
  set around the cult music festival All Tomorrow’s Parties. Made from Su
 per8\, camcorder and mobile phone footage contributed by filmmakers\, fa
 ns and musicians over the festival’s recent history\, it captures the un
 compromising spirit of a parallel music universe. \n\nFeaturing: Belle A
 nd Sebastian / Grizzly Bear / Sonic Youth / Battles / Portishead / Danie
 l Johnston / Grinderman / Lightning Bolt / David Cross / Animal Collecti
 ve / The Boredoms / Les Savy Fav / Mogwai / Octopus Project / Slint / Th
 e Dirty Three / the Yeah Yeah Yeahs / the Gossip / GZA /  Roscoe Mitchel
 l / Seasick Steve / Iggy and the Stooges / A Hawk and a Hacksaw / Fuck B
 uttons / Micah P Hinson / Two Gallants / Mars Volta / Akron/Family / Jah
  Shaka / Saul Williams / Shellac / Patti Smith / John Cooper Clark\n \n\
 nCritics Quotes:\n “Visually dazzling…pure catnip for anyone who has Pit
 chfork.com bookmarked.”  - Variety \n\n  “Stunning…A truly immersing exp
 erience\, All Tomorrow’s Parties runs the gamut from raucous energy to m
 agisterial grace…This remarkable film encapsulates and sculpts the ecsta
 tic abandon of shared musical experience into a thing of opulent brillia
 nce. All Tomorrow’s Parties is a film to fall in love with.”  - SXSW Fes
 tival
CATEGORIES:Documentary
LOCATION:Trylon Microcinema
URL:http://soundunseen.bside.com/2009/films/alltomorrowsparties_soundunse
 en2009
UID:2490880635-soundunseen.festivalgenius.com/2009
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20120517T090940Z
DTSTART:20091003T213000
DTEND:20091003T230700
SUMMARY:DIG!
DESCRIPTION: Director Ondi TImoner Present!  \n\n DIG!   screened at the 
 2005 Sound Unseen  and won the Grand Jury Prize at the 2004 Sundance Fil
 m Festival.  One of the best rock documentaries of the decade  DIG! \, c
 omes back for a special repertory screening. Seven years in the making a
 nd culled from 2000 hours of footage\,  DIG!  plunges into the underbell
 y of rock ‘n’ roll\, unearthing an incredible true story of success and 
 self-destruction.  Anton Newcombe\, of the Brian Jonestown Massacre and 
 Courtney Taylor of the Dandy Warhols\, front men for each band respectiv
 ely\, are star-crossed friends and bitter rivals.  DIG!  is the story of
  their loves and obsessions\, gigs and recordings\, arrests and death th
 reats\, uppers and downers\, and the delicate balance between art and bu
 siness.   \n\n  Variety  &  Minnpost.com  Film Critic\, Rob Nelson\, wil
 l be on hand to moderate a Q & A following the screening. \n\n Don’t For
 get :  Ondi Timoner will be receiving a special award from Sound Unseen 
 for her creativity and excellence in Documentary Filmmaking on closing n
 ight before the MN Premiere of her latest Sundance award-winning documen
 tary\,  We Live in Public .
CATEGORIES:Documentary
LOCATION:Oak St. Cinema
URL:http://soundunseen.bside.com/2009/films/dig_soundunseen2009
UID:2490880778-soundunseen.festivalgenius.com/2009
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BEGIN:VEVENT
DTSTAMP:20120517T090940Z
DTSTART:20091003T235900
DTEND:20091004T013200
SUMMARY:UNTIL THE LIGHT TAKES US
DESCRIPTION: Until The Light Takes Us  tells the story of black metal.  P
 art music scene and part cultural uprising\, black metal rose to worldwi
 de notoriety in the mid nineties when a rash of suicides\, murders\, and
  church burnings accompanied the explosive artistic growth and output of
  a music scene that would forever redefine what heavy metal is and what 
 it stands for to other musicians\, artists and music fans world-wide.   
 Until The Light Takes Us  goes behind the highly sensationalized media r
 eports of "Satanists running amok in Europe" to examine the complex and 
 largely misunderstood principles and beliefs that led to this rebellion 
 against both Christianity and modern culture.  \n\nTo capture this on fi
 lm\, directors Aaron Aites and Audrey Ewell moved to Norway and lived wi
 th the musicians for several years\, building relationships that allowed
  them to create a surprisingly intimate portrait of this violent and mis
 understood movement.  The result is a poignant\, moving story that’s as 
 much about the idea that reality is composed of whatever the most people
  believe\, regardless of what’s actually true\, as it is about a music s
 cene that blazed a path of murder and arson across the northern sky. Thi
 s film is not rated but contains graphic violence that may not be suitab
 le for anyone under 17. 
CATEGORIES:Documentary, In Competition
LOCATION:Oak St. Cinema
URL:http://soundunseen.bside.com/2009/films/untilthelighttakesus_sounduns
 een2009
UID:2490880822-soundunseen.festivalgenius.com/2009
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20120517T090940Z
DTSTART:20091004T130000
DTEND:20091004T143100
SUMMARY:ED THIGPEN: MASTER OF TIME\, RHYTHM\, AND TASTE
DESCRIPTION:  Director Don McGlynn Present!  \n\nA Minnesota Native\, pri
 ze winning Producer/Director Don McGlynn ( The Howlin’ Wolf Story\, Loui
 s Prima: The Wildest\, Art Pepper: Notes from a Jazz Survivor\, Dexter G
 ordon: More Than You Know\, The Mills Brothers Story ) has previously ma
 de many music biographies.  Normally\, he was an invisible presence\, bu
 t in this case\, he has opted to be the narrator.  And he sometimes inte
 racts with his longtime friend Ed Thigpen\, from behind the camera.
CATEGORIES:Documentary
LOCATION:Oak St. Cinema
URL:http://soundunseen.bside.com/2009/films/edthigpenmasteroftimerhythman
 dtaste_soundunseen2009
UID:2490880666-soundunseen.festivalgenius.com/2009
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20120517T090940Z
DTSTART:20091004T150000
DTEND:20091004T162700
SUMMARY:NON-STOP: GOGOL BORDELLO
DESCRIPTION:A behind-the-scenes look at the gypsy punk band Gogol Bordell
 o and their charismatic front man Eugene Hütz. From New York City's sens
 ational Russo-disco scene to a non-stop touring marathon with his band G
 ogol Bordello\, Eugene Hütz takes us deep into his artistic life and inf
 luences. After years spent in various European refugee camps\, Eugene Hü
 tz made his reputation in the U.S. as a DJ at New York's hipster clubs. 
 But he had bigger plans. Recruiting musicians from five countries\, he f
 ormed Gogol Bordello\, a mash-up of the name of a 19th-century Ukrainian
  author and the place where erotic pleasure and vulgarity are celebrated
 . This film\, shot over five wild years\, follows the hugely entertainin
 g Hütz and the members of his band as they tell their stories\, share th
 eir music and progress from underground legend to international phenomen
 on. \n\nAwards: Audience Award Music on Film Film on Music V (MOFFOM) Pr
 ague\, Special mention at Copenhagen International Documentary Film Fest
 ival\, CPH:DOX for the best music documentary  \n\nCritics quotes: \n\n 
 "Stories that couldn’t be made up if you tried..."  -Jonathan Yost\, Rac
 ket Magazine \n\n "An eclectic blend of concert footage\, rare home movi
 es of Hutz from his teenage years in Kiev and interviews with band membe
 rs\, friends\, fans and Hutz himself\, all are interwoven into a high oc
 tane tapestried and textured presentation that will have you dancing in 
 the aisles!"  - The Observer 
CATEGORIES:Documentary
LOCATION:Cedar Cultural Center
URL:http://soundunseen.bside.com/2009/films/nonstopgogolbordello_sounduns
 een2009
UID:2490880893-soundunseen.festivalgenius.com/2009
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20120517T090940Z
DTSTART:20091004T163000
DTEND:20091004T184900
SUMMARY:IN SEARCH OF BEETHOVEN
DESCRIPTION:From acclaimed director\, Phil Grabsky\, director of the inte
 rnational documentary sensation of 2006\,  In Search of Mozart \, now br
 ings his latest documentary\,  In Search of Beethoven \, which delves in
 to the life and work of Ludwig van Beethoven.  The genius of Grabsky’s m
 ethod lies in meticulously reconstructing the chronology of Beethoven’s 
 life revealing new insights though his biography and letters in tandem w
 ith the chronology of his poetic music.  Beethoven was a heroic\, tormen
 ted man battling to overcome his tragic fate\, struck down by deafness\,
  and searched for his 'immortal beloved' but remained unmarried.  Grabsk
 y documents each piece of music as he travelled across Europe and North 
 America to interview historians and musicians between rehearsals and per
 formances.  One highlight includes exclusive footage of Claudio Abbado’s
  critically acclaimed performance of Beethoven’s opera\, Fidelio.  More 
 than 55 performances and interviews by the world’s leading musicians and
  conductors\, including Gianandrea Noseda\, Sir Roger Norrington\, Ricca
 rdo Chailly\, and Vadim Repin\, among others\, contribute to a breathtak
 ingly intimate interpretation of the man and his music. 
CATEGORIES:Documentary
LOCATION:Oak St. Cinema
URL:http://soundunseen.bside.com/2009/films/insearchofbeethoven_soundunse
 en2009
UID:2490880961-soundunseen.festivalgenius.com/2009
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20120517T090940Z
DTSTART:20091004T170000
DTEND:20091004T183900
SUMMARY:D-TOUR
DESCRIPTION: Director Jim Granato Present!  \n\nWinner of Best Documentar
 y at this year’s San Francisco Int’l Film Festival  D-Tour  follows Pat 
 Spurgeon\, the drummer for indie rock band Rogue Wave and how he was pla
 ced on dialysis for a failing kidney.  Pat’s been on a six-year waiting 
 list for organ replacement and instead of not quitting the band\, Rogue 
 Wave goes out on tour\, deemed the “Dialysis Tour”\, which becomes even 
 more challenging in finding a viable match\, for a new kidney while out 
 on the road.   \n\nFilmed over three years\, and compiling more than 80 
 hours of footage\,  D-Tour \, also addresses issues with the U.S. health
  care system\, the lack of affordable insurance\, the importance of orga
 n donation and the hectic life of an indie musical.   D-Tour  features l
 ive performances from Ben Gibbard (Death Cab for Cutie)\, John Vandersli
 ce\, Nada Surf\, and of course\, Rogue Wave. 
CATEGORIES:Documentary, In Competition
LOCATION:Cedar Cultural Center
URL:http://soundunseen.bside.com/2009/films/dtour_soundunseen2009
UID:2490880909-soundunseen.festivalgenius.com/2009
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20120517T090940Z
DTSTART:20091004T193000
DTEND:20091004T210000
SUMMARY:WE LIVE IN PUBLIC
DESCRIPTION: Director Ondi Timoner Present!  \n\nTen years in the making 
 and culled from 5000 hours of footage\,  We Live in Public  reveals the 
 effect the web is having on our society\, as seen through the eyes of “t
 he greatest Internet pioneer you’ve never heard of”\, artist\, futurist 
 and visionary Josh Harris.  Award-winning director Ondi Timoner ( DIG!  
 which also won the Sundance Grand Jury Prize in 2004\, also screening in
  Sound Unseen\, this year) documented his tumultuous life for more than 
 a decade to create a riveting\, cautionary tale of what to expect as the
  virtual world inevitably takes control of our lives. \n\nHarris\, often
  called the “Warhol of the Web”\, founded Pseudo.com\, the first Interne
 t television network during the infamous dot-com boom of the 1990s. He a
 lso curated and funded the ground breaking project “Quiet” in an undergr
 ound bunker in NYC where over 100 people lived together on camera for 30
  days at the turn of the millennium. With Quiet\, Harris proved how we w
 illingly trade our privacy for the connection and recognition we all dee
 ply desire\, but with every technological advancement such as MySpace\, 
 Facebook and Twitter\, becomes more elusive. Through his experiments\, i
 ncluding a six-month stint living with his girlfriend under 24-hour elec
 tronic surveillance which led to his mental collapse\, Harris demonstrat
 ed the price we pay for living in public.  Featuring music by\, The Jesu
 s & Mary Chain\, David Bowie\, Nine Inch Nails\, The Pixies\, Sigur Ros 
 and Jamiroquai.  \n\n   Variety  &  Minnpost.com  Film critic\, Rob Nels
 on\, will be on hand to moderate a Q & A with Timoner\, following the sc
 reening. \n\nCritic’s Quotes:  \n\n“ Bone-chilling.  Darkly funny. Astou
 nding .” - Rob Nelson\, Variety \n \n“ Riveting.  A compelling cautionar
 y tale .” – New York Times \n \n“ Remarkable. Mesmerizing !” -LAWeekly
CATEGORIES:Closing Night Film, Documentary, Featured
LOCATION:Cedar Cultural Center
URL:http://soundunseen.bside.com/2009/films/weliveinpublic_soundunseen200
 9
UID:2490881059-soundunseen.festivalgenius.com/2009
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